Very Taxing
April 15, 2008

FYI, Here are the coaching expenses my accountant considered either “excessive” or not necessarily “essential” enough to deduct. For the record, I do not agree, but I am deferring to her expertise.
| Coffee: | $75,432.21 |
| Donuts: | $1,643.07 |
| Mittens: | $928.53 |
| Long Johns Composed of Hi-Tech Fibers: | $4,631.82 |
| Scarves in Every Color of the Rainbow and Some Colors that Haven’t Been Officially Inducted: | $22,967.58 |
| Deep Tissue Massages: | $43,722.71 |
| Psychoanalysis to Examine Long-held Guilt Regarding Donuts: | $35,226.68 |
| Speech Therapy to Rehabilitate Vocal Chords Damaged by Instructing Skaters over Loud Rink Music: | $19,863.53 |
| Cosmetic Surgery and Botox for Deformed Feet: | $14,649.99 |
| Special Eyeglasses Designed to Decrease Glare from Rink Florescent Lights: | $4,555.62 |
| Office Supplies Decorated with Polka Dots Including Travel Expenses Across Country to Track Them Down: | $12,761.74 |
| Movie-Going for Music Research Including Popcorn with Extra “Butter” for Nourishment: | $52,433.88 |
FYI, here are the expenses my accountant considered to be perfectly valid:
| Gas Mileage from Rink to Rink: | $4,655,627.41 |
| Weekly Skating Blog: | $0.00 |
I have developed sudden-onset carpal tunnel syndrome from writing my check to the Internal Revenue Service, but as soon as this clears up, I will get to work on the next CSOM installment, which will be about Kristi’s dancing skills, or Sasha’s flexibility, or something else of skating significance.
***
Incidentally, this winter I was compelled to write a memo to my older brother. Read a copy of it by clicking on Cusp of Greatness in the column over to the right.
Rental Skate Riff
February 12, 2008

There are many different parts and pieces to an ice rink. There’s the Zamboni, the ice itself, the receptionists, the skate guards, the janitorial staff, the administrative staff and, of course, the coaches. I’ve thought long and hard about (and written about) the pros and cons of my particular role but I think it’s pretty obvious that there’s one rink job far more difficult and underappreciated than the rest: the job of the Rental Skate.
I’ve been working alongside Rental Skates for years, and I’ll admit it, I’ve never taken much notice. Well, that’s not true. I have noticed them and I’ve laughed. I’ve ridiculed. Okay, the full truth: I have been downright disrespectful, maybe even discriminatory.
One day, a child in my beginner class tugged on my coat sleeve. “Teacher?” she said (I’ve long stopped hoping for them to try and pronounce my name). “Teacher, my skates are broken.” I looked down. Her Rental Skates weren’t actually broken but they were in sorry shape. The buckles were undone, the tongues were wagging, and they were foaming at the mouth. It looked as if they had been run over by a car. “Oh, my,” I said to the little girl, trying to disguise my horror. I am ashamed to write that I did not feel empathy for this feeble footwear…I felt disgust.
“Where is your mother?” I asked. I certainly wasn’t going to bend down and touch them. Besides, performing triage right now would take time away from the other students. “She’s over there.” The little girl pointed her mitten toward the lobby at the other end of the rink, which might as well have been 100 miles away. I told her to wave, which she did, vigorously, but no one made any motions to come over. I considered sending this skater back out to the rental desk alone, but I knew that wasn’t particularly responsible, so I yelled out to the rest of the class, “Okay, try some dips!”
I sighed. I took off my own mittens (the coach version of rolling up the sleeves) and got down on bended knee. I first tried to stuff the plastic tongue back into the left skate without knocking the child over, but it seemed to have lockjaw. So I had her sit down, and I took the skate off her foot in order to deal with it more directly. I didn’t mean to be rough with the skate, but I was in a hurry. Despite being rushed, I did notice that the blue plastic was covered in lacerations. Out of curiosity, I quickly turned the boot over and ran my finger along the blade. It was sharp, yet, not in right direction; the bumpy nicks almost made it seem as if the toe pick extended along the whole length.
I finally got the tongue properly reinserted and had her push her foot back inside. I fiddled with the ski boot-style buckles, explaining while I did so that the skate should really be hugging her ankle and should feel a bit tighter than her sneakers. Then I started to address her other foot, except, wait…something was amiss. This one looked exactly the same and I don’t just mean that it had many similar injuries (which it did), but it was “exactly the same” in that it was also a left skate. Now I stood up and waved my arms wildly toward the lobby as if I were stranded on a highway. Help! S.O.S! Come now! Eventually, a mother stood, gathered up her coat, her toddler, and another kid in a stroller, then started making the trek toward the rink door.
The situation was quickly rectified. We all said “woops!” chuckling, and moved on. But ever since then, I’ve been paying closer attention. What I’ve discovered has changed my perspective and I hope it will change yours, as well. What I’m asking, here, is to consider, really consider the plight of the Rental Skate.
Imagine that, basically, you are a knife for hire. You are worn by people who don’t really know how to correctly use you. Though you exist in the name of fun, you unintentionally harm beginner skaters on a regular basis, and get directly blamed for broken bones, sprains, and an unfathomable number of bruises. Every day, you participate in what are basically demolition derbies. You slam into the boards, you crash into other Rental Skates and every lap includes a number of near-misses that would make professional stunt men close their eyes. This has left you scarred.
But you really weren’t all that handsome to begin with. Maybe you are the tan-ish variety, the same color as paper bags, and striped red at the heel in the same manner as your cousin, the Rental Bowling Shoe. Or you are an elder figure skate, circa 1943, and you are graying and sagging with age. If you are the newest version, you are off-white with black trimmings. You are composed of extra-stiff plastic that is also somewhat shiny, so that you kind of look like a little white Darth Vader. But really, most of you are that weird color of blue plastic, not quite Smurf and not quite Blue Man Group, some indefinable shade in between. However you started out, you’re getting uglier by the session. Unfortunately, “plastic” surgery is not an option, or it’s never been offered, anyway.
Too often, you are forced to work in environments not included in your job description: the metal bleachers, the cement on the other side of the rink, even the parking lot. You are not provided with the protective gear, a.k.a. blade guards, that are always used in the private sector. You have no health insurance and the doctors assigned to your care have very little training. Mainly, you suffer from neglect, your ailments unnoticed or unreported. Instead of getting a bath, you get occasionally sprayed with noxious, aerosol “perfume”. At the end of the day, you are thrown into a heap and haphazardly sorted.
Though everything you do is a team effort, you sometimes get separated from your partner and re-matched with a Rental Skate of a different size or, as highlighted above, with your exact twin. You are basically abused, misunderstood and considered inferior to the other privately-owned skates in the rink. And you’ve seen how well those other white and black skates are treated. They are handled lovingly and gently wiped off. They are regularly taken for check-ups. They don’t hang upside-down on a hook all night, but are tucked into their own individual bags. Some of them even have fuzzy slippers and their own stuffed animals (Stink-eez!) designed to help them smell better.
Imagine that your life is very very long. And that you work for its entirety, with no hope for retirement. You’ve never experienced anything like respect, or appreciation, or even, (until now) sympathy. The worst part is that, thanks to all of the above challenges and hardships, you’re not even very good at what you do.
In fact, the only pride you can take in your job is that you are an effective middleman. After wearing you, many decide to procure their own skates, those other ones. And, wait a second, when you think of it in this light, you, oh, Rental Skate, are truly a hero…you may be regularly dismissed, degraded, and quite smelly, but you are like a bridge, the best kind of bridge, because you lead to something better. It is with you that many dreams begin.
***
While working on this installment, a few people shared some funny Rental Skate stories…
One rink manager told me that people don’t really steal the skates that much anymore but… “We had that problem when we first opened up. There were a few creative ways. The most common was to bring a ratty pair of shoes, give those in exchange for rentals and put on your real shoes from your bag. We had a few weird ones. In one instance, a woman claimed that the rentals were actually hers, stolen from her by one of our employees. Another time, one guy, an adult, asked to buy a specific pair of rentals, as they fit him so well. I explained that I couldn’t do that. Two weeks or so later the skates were gone. I saw them on the guy a month later at public session, painted an awful brown color. You can’t make this stuff up.”
A man whose family has run a skate shop and rental window at another local rink since 1960 told me that when the kids hand over the skates, sometimes he’ll, as a joke, hand back only one shoe in return then go about his business, pretending not to notice. One little kid, who seemed like he was probably only about three years old, looked a his one shoe for a moment and then, with perfect aim, threw it right at this man’s head!
Thanks for reading. I’m sure you have some good stories as well. Please contribute to this Rental Skate Riff by clicking on “comment” below.
***
To read my icenetwork interview with the Gilles Family, click:
http://web.icenetwork.com/news/article.jsp?ymd=20080207&content_id=43520&vkey=ice_news
Also notice that I’ve added some Interesting Links, over there, under “Pages” in the right hand column. Enjoy.
The Coldest Job in the Universe
January 8, 2008

Well, the holidays are over. I don’t know about you, but I’m experiencing a bout of post-holiday blues; my cozy, pajamas-on-the-couch vacation is behind me and the long, cold winter stretches out ahead.
I’ve said it before and I’ll say it again: coaching skating is a great gig, and there’s nothing else I’d rather do (well, besides cashing lottery checks and even if I did win, I’d probably still teach lessons). But the temperature of this profession from November through March can be more than a little problematic. Of course, in the summer, it’s a downright godsend, but that’s light years away, at this point, and not the focus of this discussion.
Allow me to clarify that there is a gigantic difference between skating in a cold environment and coaching in a cold environment. Even when you glide around with your students, you rarely generate enough body heat to have a real effect. The temperature is usually tolerable for the first hour or so, but once you get three or four hours in, you inevitably start to feel like an underdressed Eskimo.
There are times, at the end of a workday, when I’m so cold I can hardly think, or I can only think about lasagna…diving into a large vat of it. There are times when my hands, my feet, and my face have gone beyond frozen to a scary state of numb. My shivering probably makes me look blurry to my students, as if I’m one big hummingbird wing. After my last lesson, I rush into my car and put the heat on full blast only to rediscover that it always starts off as an arctic wind far colder than air conditioning. While I wait for it to heat up, I worry that the violent chattering of my teeth could result in a jaw sprain or a cracked tooth. I wonder: when exactly does “hypothermia” set in?
A few years ago, I tried to comfort myself by making a list of careers that must be colder than ours. This is all I could come up with: 1. the foreman of an ice cream factory, 2. a roofer specializing in igloos, 3. a busker who plays guitar on Mt. Everest. Composing this list did not make me feel any warmer. In hindsight, perhaps burning it would have…
It could be that I’m particularly wimpy. I’m open to this theory because I am wimpy in many ways, however, I did grow up in Wisconsin in the years before global warming. (See prior installment - my father transformed our driveway into a rink with the simple spray of a garden hose.) In my formative years, on the rare days when I was not at an ice rink, I spent many an hour helping my brother construct sophisticated snow forts and extra-plump snowmen. I helped (okay lackadaisically, but still) my father shovel the driveway and helped my mother shovel our car out from various snowdrifts. So I’m no stranger to the cold.
It could be that the rinks I teach at are particularly chilly. You know how, when you come in from the cold, your face sometimes burns for a few moments? One night, when I came home from teaching at an outdoor rink, my face didn’t stop burning. I looked into the mirror to discover that my skin had become disturbingly splotchy and it stayed that way for hours. Those of you who know me are aware that I have an abnormal affection for polka dots - but not on my face! A call to my doctor the next day confirmed that I was probably going to live, but that I had contracted the very first stages of frostbite. I know a few coaches who have gotten more advanced frostbite in their toes, and this does not sound like a pleasant experience.
The temperature of indoor rinks varies. Ice surfaces apparently need to be somewhere between 24 to 28 degrees and the air is usually somewhere in the 50’s. Though, recently, at one of the rinks I teach at, an adult skater brought in a digital thermometer, just for kicks, and let’s just say that the reading was…well below the 50’s. It suddenly made perfect sense how, about a month ago, the ice pack I was using to nurse a shoulder injury was more frozen (rock solid!) at the end of my workday than at the beginning. Similarly, this New Year’s Eve, the rink nicely chilled a bottle of champagne I had tucked in my bag for later consumption.
Unsurprisingly, one of the most commonly uttered phrases in my work life is, “It’s so cold.” We coaches say this to each other as if it’s a revelation, as if it’s something new, as if we haven’t already mentioned it to each other four times that day and 65 times that week. Hearing the heartfelt, “I know,” in response, as your co-worker burrows further into her scarf, is comforting: at least we’re in this together.
During the ice cuts, we purchase more coffee or tea, we blow on our hands (or run them under the hot water in the restroom.) We sit in the lobby commiserating and fantasizing. Our eyes gloss over as we talk about things like electric blankets, and heated vests. One of my friends enjoyed the benefits of this latter invention until it busted. The other day, someone was regaling us with a tale about a rink somewhere in Massachusetts where there are a series of heating panels installed behind the benches for the benefit of the coaches, which sounds to me like nirvana. My latest hair brain idea is to develop and bring into fashion a sort of “nose cozy,” perhaps knit in a variety of styles: an orange beak, a pink snout, or a red homage to Rudolph. What do you think?
All of us have already devoted a lot of cognitive energy (and funds) to combating the cold.
Of course, the most important survival mechanism is strategic layering. For me, this starts with a layer of long johns and ends with a ball-gown length down-feather coat. It’s kind of a like a sleeping bag with arms. Of course, every time I want to demonstrate something, I have to hike it up to my waist like a bride walking through a puddle so that my students can actually see my feet and legs. The middle layers consist of a combination of fleece, wool, gore-tex…and, on the advice of a friend, I have recently discovered the thermal power of cashmere. I’ve always owned a few cashmere sweaters, but I’ve made the mistake of saving them for special occasions (a.k.a., when they could actually be seen, silly me). I didn’t realize, until now, that this luxuriously soft material is also quite practical. Snowpants are also a key ingredient. The few times I’ve tried to cut corners and teach just in my jeans, I might as well have been naked.
What you have to remember is to put on your skates before you apply your final layers because the bulk factor can make it difficult to bend forward. In fact, not being able to reach your feet is a good way of gauging whether or not you have enough layers on. Of course, once I have all my gear in place, I look about as large as a Kodiak bear. In the summer, it is common for skating parents who observe us coaches arriving at the rink in our shorts, to marvel at all the weight we’ve lost. Of course, in actuality, it’s just that they’re not used to seeing us in less than 44 layers.
Hats are a given, though your hair will pay the price, as it will look perpetually smooshed. I’ve found that mittens definitely trump gloves; it’s optimal for the fingers to huddle together. And, on the most extreme days, if you supplement with one of those handwarming pouches, it’s as if your fingers have all gathered around a virtual campfire. The downside with mittens is that they severely affect your dexterity: you have to take them off in order to write anything down or to play a CD. They also impact your ability to give your student the “peace sign”, the “okay sign”, or the “do two more sign” with your fingers. Fortunately, you can still give an effective thumbs-up, or thumbs-down, whichever the situation calls for.
One thing that has helped me survive morning teaching (but just barely - see the installment entitled Morning Madness) is my own personal space heater, which is about the size of an eight-inch cube. Lots of fellow coaches have invested in these. The problem, which we have learned the hard way, is that you can only plug so many of them into a power strip before you blow a fuse.
Sometimes, the only thing that will thaw you out this time of year is a long, scalding shower or a very hot dinner. For this reason, last week I implemented Project S.O.U.P.. I made three different kinds and I’m happy to report that my freezer is now stocked with 17 servings of liquid heat. Next, I’m going to purchase some boot covers, which many claim to be lifesavers, or toe savers, at least. All these methods will surely help with the winter blahs, but I know, as we dig deep into February, I’ll need to employ more extreme tactics. Specifically, I’ll have no choice but to board a plane to visit my oldest and dearest skating friend. She now lives in Puerto Rico.
***
If anyone has any other useful ideas or remedies on the topic of temperature, whether serious or facetious, please bring forth by clicking on “comment” below. And, I implore you, if I show up at the rink one day wearing a bank-robber style face mask or some kind of cashmere beak, please intervene.
So the day I’m posting this missive, it is 65 degrees in New York. January 8. Go figure.
Ha! A special thanks to Commenter #8 who has provided us with a link to a knitting website that includes an actual nosewarmer! That is just not something you see everyday…
Stuff
December 18, 2007
It’s no secret: we Americans are obsessive consumers. We are, on the whole, wasteful and thoughtless. Thanks to our materialism, our landfills are overflowing. Earth’s atmosphere and waterways are becoming noxious, nasty wrecks. And what are we doing about this? Holiday shopping.
I confess that I am a primary culprit. A few weeks ago, my mother and I visited a store called “The Christmas Tree Shop” which sounds like it could be a quaint little mom-and-pop nook on any small town’s Main Street. In fact, it is a warehouse-sized chain, offering aisle upon mile-long aisle of holiday kitsch. Name a household item - cookie jar, doormat, toilet paper - and you can find it there with a picture of Santa ho-ho-ho-ing across it. The sight of all this junk and the rate at which people were buying it sickened me. I crossed my arms and shook my head in distaste. After a few moments, however, I managed to calm down and acclimate to my surroundings: I found an empty cart and started filling it.
I think comedian George Carlin puts it best:
“That’s all you need in life, a little place for your stuff. That’s all your house is: a place to keep your stuff. If you didn’t have so much stuff, you wouldn’t need a house. You could just walk around all the time. A house is just a pile of stuff with a cover on it. You can see that when you’re taking off in an airplane. You look down, you see everybody’s got a little pile of stuff. All the little piles of stuff. And when you leave your house, you gotta lock it up. Wouldn’t want somebody to come by and take some of your stuff…That’s what your house is, a place to keep your stuff while you go out and get…more stuff!”
I had a run-in with my own pile of stuff a few months ago, when I attempted to clean out some old boxes in my father’s garage in Wisconsin. What do you think most of these boxes contained? (Well, okay, lots and lots of dolls, a whole sad orphanage of them.) But also: all kinds of skating paraphernalia. Competition T-shirts, bags, programs, trophies, medals, etc.. I had not laid my hands or eyes upon any of these items in more than 20 years.
I was hoping to complete this project within a few hours, but I ended up changing my flight by about half a day so I could make some sense of it all. What did I need to keep? None of it. What did I want to keep and why? Those were difficult questions, indeed.
The thing is, most activities we get mixed up in - cooking, camping, mountain climbing - necessitate a certain amount of equipment. But there’s also all this other corollary stuff, some of which you purchase yourself and much of which you receive as gifts. I have received boatloads of skating-related merchandise over the years. My Christmas tree, for example, has skaters and skater-less skates flying around in every direction, as if on a public session. Of course, these ornaments don’t define me or validate me in any real way, but I admit, as I look across the room at my twinkling tree, that I derive joy from their specificity. I can remember who gave me these ornaments, mostly students, some of whom are long gone to college, and some of whom are growing like trees from one lesson to the next.
And that is what I was so overcome with as I sifted through those ancient boxes in my dad’s garage: memories. I found a tiny Polar Sport jacket, navy blue with red stripes and a Figure Skating Club of Madison patch sewn on the sleeve. I found Inga leggings, in black and turquoise and tan, the fabric of which is thick (and warm) as at least three wool blankets. And I found my red, FSC of Madison skating bag, which has separate compartments for two pairs of skates (freestyle and patch!). It is splattered in bleach from a grocery shopping accident that occurred in the trunk of our car and my mom still feels terrible about.
I remember wanting to own each of these things and thinking that they were all very expensive. I remember the thrill of finally obtaining them. And I remember happily using them. My parents were very generous: I always had pretty much anything I wanted, but I didn’t usually have it right away. There was a sense that all good things come to those who wait, that patience was a virtue, and that the best things in life are those that are earned. As a result, I appreciated what I had.
As I pulled these items out of their boxes, some held no meaning anymore, and others were like portals to the past. They reminded me of a particular rink lobby, a skating friend, or a coach. But, really, how often do we have a chance to (or even want to) revisit the past through these relics? And how much stress is involved in storing and constantly moving them? It occurred to me, as I sat, stressed-out, amid piles on the garage floor, that photographs from those times are equally evocative. And they take up a lot less space! Still, I’m ashamed to report that I couldn’t let go of a lot of it. I repacked many of the boxes and shoved them in the corner. Next time, I’ll try again.
Recently, one of my teenage students came back from Salt Lake City with a Junior Nationals jacket. His club had also given him a National Team jacket. The first day he donned these new acquisitions, he beamed proudly; I recognized that feeling. Most of our students wear jackets from their clubs, or their synchro teams, or various competitions. The fact that you can now purchase competition sweatshirts displaying a printed list of competitors and a little red star by your name is simultaneously ridiculous and fantastic. If I were a young skater today, I would have loved this as much as I would have loved a pink, rhinestoned Zuca bag (the roller bag that brilliantly doubles as a chair) or the new blade guards that give their own laser light show. (These are the current trends that will clog up many garages for years to come…)
The point is that all of these things contribute to a feeling of affiliation or a sense of belonging. Literally and figuratively, we have all “bought in” to this activity. While other sports are also infected with a certain amount of commercialism, I have a hunch that skating is probably pretty high (if not the highest) on this spectrum. And I wonder why this is so.
For one thing, skating takes a crazy amount of practice and, at the competitive level it requires a great deal of sacrifice, in various forms. Maybe that new skating trinket will somehow make up for all those other things - slumber parties, Saturday morning cartoons, prom - we might be missing. (Or maybe it won’t.) Also, as much as our sport is about technical savvy, it’s also about appearances. To a degree, figure skating has always and will always place an emphasis on how you look. At heart, skating is about attractive body lines, effortless landings, and musicality, but if these can’t be achieved, maybe a $1000 dress will somehow make up for inadequacies? (Again, and maybe not.) Maybe there are so many nefarious temptations for kids that parents are willing to spend whatever it takes on positive distractions.
I was definitely one of those kids who, when the going got tough and I wanted to quit, I kept skating partially because I was excited about the dress that was being sewn for the next competition. For better or worse, I derived as much pleasure from the blade guards I decorated with flowers, or the stuffed smurf I covered with pins collected from competitions, as I did from the act of skating itself. I’m glad I continued to skate throughout my teenage years and eventually reached a place where the movement across ice eclipsed all the paraphernalia; in a weird way though, that paraphernalia, like a lure, helped me get there. And now, here.
So, can there be meaning in “things”? My answer is: definitely, yes. But how much meaning and how many things? I obviously haven’t figured this out, yet.
As an adult, I have certainly indulged in that panacea known as retail therapy. The problem (or maybe the good thing) is that my Manhattan apartment is approximately the size of a standard business envelope, and there is simply not room for very much stuff. (Hence, the boxes at my father’s house.) All of the news reports lately about global warming and Al Gore’s valiant, Nobel-winning fight to save the environment have alerted me that we all need to slow down our consumption and think about our own “ecological footprints”.
I’m not contemplating (or suggesting) severing all material attachments, just a general downsizing and thoughtfulness. In the meantime, yes, there are some presents to wrap, gifts to distribute: though, this year, mine are slightly more homespun. With a little help from that behemoth Christmas Tree Shop, I got crafty: I made some ornaments and I bet you can guess what kind of footwear I painted on them…
***
So what relics are in your boxes?
Bonus fiction: Check out “Holidays on Ice, Parts 1 and 2″ in the column over to the right.
Interview: Boots and Blades, Part 2
December 11, 2007

Well, skate technology has certainly come a long way since the days when people constructed blades out of the leg bones of horses, elk, or deer, then attached them to their boots with straps of leather. Back then, instead of going to over to the nearest skate shop, you had to go hunting.
It’s hard to imagine that people actually used skating as means of transportation via frozen rivers and canals. Because the blades were so rudimentary, many of these intrepid travelers used big poles to help propel themselves forward. I guess this was in the time before subways and Vespas and Hummers. And global warming.
I read this week that, in 1572, the Dutch military laced up their ice skates to fight a battle against the Spaniards near Amsterdam. Their triumph was apparently so thorough and impressive that the Spanish military immediately procured their own skates and also started training on ice. Apparently what I always suspected is in fact true: the skate is mightier than the sword.
What I’m upset about is that blades are no longer constructed with that big curlie-cue in front where the toe-pick is now located. I think that was a good look. If any of you blacksmiths out there want to bring those back, I’ll be your first customer.
Now, not only do we have relatively advanced skate technology, but there is a whole industry of other quasi-essential goodies we can purchase as well. For example, at Skaters Landing in Greenwich, CT, you can buy fuzzy, neon green blade “soakers” that are the size of small, furry animals. You can also purchase tiny, ballet-type shirts that are so elastic, they start out about the size of your hand yet miraculously stretch to fit over your whole torso. The best part is that, while you try on your new skates, or let them cook around your feet for the heat molding process, you can perch on seats that are in the shape of puzzle pieces. Now that’s something I bet the Viking skaters would have enjoyed.
I asked my “skate guy,” Mark Magliola at Skaters Landing what his hottest items are for the holiday season. He told me that he sells lots of little gloves with appliqué, jewelry, skating ornaments and Christmas cards. Mainly (and this is a point he clarifies for all the dads): it’s really all about the dresses.
I also got to ask him more questions about boots and blades, as a follow-up to last week’s installment:
So, in your business, I bet you see a lot of freakish feet?
I think anyone who fits boots or shoes can write a novel about their experience. I never realized that there was such a variation of foot design. I now understand why hospitals take inked imprints of newborn’s feet. No two feet are the same. There are some general trends that I’ve noticed.
1. Most people have one foot bigger than the other. It is the exception when we find someone with feet the same size.
2. I’d say that figure skaters are divided almost evenly between low and average height arches. There are extreme examples: I’ve seen feet where the arch is flat on the ground and others where the arch and instep are so high that a pencil could slide under the foot without touching the foot.
3. Other examples of variations:
- Flexible arch that can change the length of the foot
- Long toes
- Short toes
- Extremely narrow
- Extremely wide
- A foot that is narrow in the heel and arch area but extremely wide in the front (pizza foot)
- Wide heel and wide front (brick foot)
The most worrisome foot is one that has a low arch and pronates extremely. The skate boot can correct some of this but with a high level skater the misalignment of ankle, hip and knee can cause problems. Checking with your pediatrician is called for in this case. Children can grow out of this condition but some don’t and orthotics may be called for. I suggest checking with a specialist and/or a physical therapist to correct any muscle imbalance that is most likely the cause of extreme examples.
Tell me more about “coaching boots”.
I’ll tell you more about them after I try them. This will be my next boot. They have a layer of “thinsulate’ which is an insulating material. They are softer than regular high end boots and if skated hard will break down. For coaches like me, who teach dance and take students through the low level dance tests, I think they would be good. I also stand around a lot and the insulating feature of the boot should be a plus. I’ll let you know what my experience is after I’ve had them on through a winter.
Can you tell me three things every coach should know about boots?
I think most coaches know what I’m about to say and some may disagree. But here goes.
- Boots should fit the skater: meaning foot shape, age, and weight and skill level. Just remember that a Jackson boot is normally shaped like a triangle, a Riedell a rectangle, a SP Teri with a snugger toe box and a Harlick with a snug toe box or a wider toe box if you specify the X series. Grafs are softer (except for the Galaxy Model)… shall I go on? Actually, at a basic skill level, where most of us work, the flexibility for the boot is of prime importance. When suggesting a boot to us, tell us about your skater: strong legs, can’t bend knees, light, heavy, beginning jumper etc. I can guess by looking and I am most often right. However, I do make mistakes so the more information the better. By the way, we guarantee our work and if we are wrong we’ll replace the product.
- If it isn’t broke don’t fix it: If the only reason for changing a boot is to go up a size and the boot the skater is coming from was comfortable and effective for his/her level of skating, don’t change anything but the size. If weight has changed and/or skill improvement is placing more demands on the boot then go up a grade. If the skater has not had a good experience with the skate (i.e. they caused a cramping pain across the front of the foot) possibly try a Jackson or special order a width for the present boots.
- Cookie Cutters: Skaters are not made from cookie cutters. What worked for you as a kid may not work for your student. Each skater is unique so their equipment needs will differ from other skaters.
And, onto blades…Are you selling a lot of those colored Paramounts?
No I’m not selling a lot of the Paramount colored blades. As with any new product, it takes time to catch on. Also from a marketing concern, there hasn’t been a great drive on the part of Paramount to develop dealers and create incentives. Breaking into an established market with customer loyalty already in place is a high hurdle. That being said, the advantages of the blade include durability and light weight. The blade is made of titanium (aircraft metal) and is extremely light weight. Sharpening is less frequent. For example, we suggest sharpening between 15 and 20 hours of skating. With a Paramount, you can wait 50 to 60 hours. The only draw back is that they are expensive. The high level version is similar to a Gold Seal, the low level close to a Pattern 99. When you’re asking people to change their preferences at this level you have to give them a reason.
It seems to me that less and less people are sharpening figure skates and learning how to do so. Is this a dying art?
I don’t know how to answer that except to say that the demand is there but sharpening skates is not going to be one’s main source of income. I teach and operate a figure skating store outside a rink. Others are working in a rink. In both cases the main income is from sale of equipment. If you’re not involved in the industry at some level, than you have another occupation and sharpen part-time. Most rinks have ‘hockey shops’ and pay small attention to figure skates. As you are aware, there is a difference between the techniques for sharpening a hockey skate and a figure skate. Most ‘hockey shops’ don’t know this or don’t want to spend the time on it since the equipment part of their business generates more income.
Can you tell me three things every coach should know about blades?
- Basic skill blades are all the same. They have the same toe pick, the same rock and the quality of the steel is similar from one type to another. They are made to assist balance, allow the development of edges and to have fun with. Here I am speaking of Ultima, Wilson and MK blades, not the kind on the cheaper skates sold at department stores
- Beyond the basic skills level, blades vary in all different directions. As the skill of the skater improves, the focus of the skater may also narrow. A high level dancer will want a dance blade, a full time Synchro skater may want a Synchro blade, and a freestyler will want a freestyle blade. Within each category there are numerous models with differing radius specifications and price levels. Without getting too detailed, just realize that there are a large selection of blades with different skill focus, much more than even ten years ago. Each manufacturer provides alternatives at different price points. For example, the Pattern 99 from Wilson has two competing models: the Ultima Elite and the MK Vision. They are essentially the same.
- In the end, the student and parent will call the shots on blades (boots as well). As a professional, you have to determine not only skill level but also the commitment of the student and how much resource there is for purchase of blades. In some cases, the blade will cost more than the boot. This happens to the up and coming freestyler not ready for a stiff high level boot but the professional wants them on the high end blade to learn the balance. This is a valid point but I have seen parents of new freestylers blanch when they see a set up costing $600.00 (400 of it blade) when they spent $110 the season before. The point is that there are now lower priced alternatives that provide the same benefit.
Okay, finally…which boots are sexier for female coaches: white or tan?
If you want your legs to look longer, go for a tan boot. As to which is sexier, I take no position
Thanks again Mark, for taking the time to share all this information during this busy season. And thanks for helping so many of us skaters (and coaches) put our freakish feet into skates that fit like gloves… and providing gloves that have little skates on them.
***
To visit the Skaters Landing Website, click: http://www.skaterslanding.com/
And notice the newest CSOM addition, over there on the right: Holidays on Ice Part 1, a previously-published skating short story I’m going to unfurl for your reading pleasure over the next few weeks.
Enjoy and thanks for reading.
Interview: Boots and Blades, Part 1
December 4, 2007

I am in shock. I recently purchased a new pair of boots and it didn’t hurt to break them in.
In order to deal with the dreaded “breaking in” process, I entered the rink on that first day armed with gel pads, band-aids, lambs wool, make-up pads, cold packs, hot packs, ibuprofen, painkillers, and even brought in a morphine drip and an old pair of crutches, just in case.
We always talk about “muscle memory” in this business, but we rarely talk about PTSD (Post Traumatic Stress Disorder): the psychological condition we probably all developed as a result of breaking in skates as kids. (How did any of us survive the era before gel a.k.a. ”bunga” pads?) I still have flashbacks to the raw skin, the open wounds, the infections. Band-aids were nomadic. Clumps of lambs wool had a way of escaping over the top of the boot like prisoners at an unguarded fence. All those other pads we stuffed in there only made things worse.
In fact, I was planning to write a dramatic piece about how, after a few hours in these new skates, I couldn’t walk anymore, how I had to rent a wheelchair, and how subjecting my injured feet even to the lightest silken socks had become too unbearable.
But nothing. Of course, the new skates felt a little weird, and took a little getting used to. I’d been wearing the same kind of stock boot ever since I started skating, so I had to adapt. I was hesitant to switch to another brand, but I was becoming intrigued by the reported lightness and heat molding of the latest Jacksons. Many of my skaters were wearing them and I figured I’d give them a try.
I have been visiting Mark Magliola at Skaters Landing in Greenwich, CT for blade sharpenings for a while now. What I like about him is that he’s also a coach, a longtime skater, and the parent of a skater. So he knows his products inside and out, both from his clients’ and his own experiences. He thought that, based on the shape of my foot, Jacksons would be a good choice and he was obviously right. Based on my surprisingly smooth break-in experience this time, I’ve come to see the whole heat molding process as a stroke of pure genius.
Our equipment, in this sport, is incredibly important. It’s not that we are princesses (or princes): if our boots or blades are wonky, so is our skating. With inappropriate skates, performances suffer and chances for injury increase. Therefore, it’s imperative to have a “skateguy” you can trust, both for yourself and your students.
As coaches, we should all have a basic understanding of fit and the latest advancements to pass on to our clients. Mark was kind enough to answer some of my burning questions and to generously share his knowledge with the rest of us:
How long have you been in the business?
I’ve been at Skaters Landing in Greenwich going on three years. I’ve been working in the equipment and sharpening business as a sideline since I was the manager of Terry Conners rink back in the 70’s. In the past seven years, I’ve become more involved with the business, working with Chris Bartlett of Skaters Landing in North Haven. We met when I was teaching skating at the Stamford Twin Rinks. It seems we had the same reason for becoming involved in the equipment business.
Why was that?
Each of us, for years, were frustrated by the poor equipment of some of our students. It is hard enough to learn to skate with good equipment. It’s impossible to learn when your equipment fights you. And you understand the frustration that a coach feels when the person they are working with can’t get on an edge because the boot is twisted or too big or too small or the blade is set wrong. I had another reason, my daughter. As she became more skilled in the sport her boot demands changed. The boots became more expensive and tougher. She did develop a fractured second metatarsal on her right foot (the picking foot for toe jumps) and part of the problem, I feel, was an improperly fit boot.
What is your own background with skating?
I was competing in dance back when Peggy Fleming won her first national title (that’s how old I am). Figures were the thing. I passed my Gold level dance test just before going off to college. I began teaching skating at college. I worked in West Hartford as a skating instructor and was one of the assistant managers at the rink. During my time there, I left for a year to get my Masters in Park and Recreation administration from Indiana University. I became the first manager of Terry Conners rink in 1973. After moving to a number of locations that included Ohio and New Jersey, I returned to the Terry Conners rink and stayed for ten years. Then I left the recreation field and ice skating for ten years, returning as an instructor in the Darien learn to skate program. When I came back, much had changed. Boots had changed little. They were either of poor quality or tough and hard to break in.
What are the biggest trends or changes you are noticing in the boot industry now?
The industry has organized itself into two large manufacturers (Reidell and Jackson) and a small number of what could be called family businesses. Harlick, SP Teri and Klingbeil are the American smaller operators. Graf of Switzerland and Risport of Italy round out the field of major manufactures. The larger manufacturers tend to create innovations that the rest follow.
Right now boot flexibility with lateral strength is the trend in figure skate boots. The heavy, extremely rigid boot is no longer the desired item. At one time, it probably was thought that with higher rotation jumps boots had to be unforgiving to protect the ankle from the extreme stress of landings. Actually, the opposite tack is now being taken, especially if the skater is young and their foot and bone structure is still developing. Ankles need to be flexible and an inflexible boot worn two to three hours a day, five to six days a week does not allow the ankle to become flexible. Micro fractures develop in inflexible ankles.
Boots are being built with lighter weight materials. Some have plastics in the boot to make them lighter while maintaining lateral strength. The newest and biggest innovation in the last ten years of figure skate manufacturing is heat molding.
What are the benefits of heat molding?
Heat molding eliminates 99% of the ‘break in period’. The ‘break in period’ is that time which all skaters looked to in fear: two weeks of the damp sock routine and pain before the boot started to move with your foot. Heat molding is an ‘almost customizing’ of the boot to the skaters foot. Boots are lasted to a mold. The mold cannot possibly match every foot. What I’ve noticed working in this business is that feet are very individual. While they can fall into categories (Low arch, high arch, flat instep, high instep, pizza feet, brick foot etc.), each foot has its own quirks. The higher end boots today are made of a kind of material with special glues that, when heated, can be squeezed against the foot and forced to ‘mold’ to the specific shape of the foot. This will probably take care of 90% of skaters. People with extreme abnormalities (extra wide fronts, extra narrow heals, extremely high arches and insteps) may need customizing right from the manufacturer and then heat molding as a last step. This is not the case for most people.
The whole point of the heat molding process is to eliminate pain and discomfort. Sometimes an additional ‘punch out’ of a pressure point that develops when skating may be necessary. You should not be skating in pain and new boots should not keep you from top performance. I fitted and heat molded a skater to her new Silver Stars in the morning and she was doing her doubles with no problem in the afternoon. This is not to say she was ready to compete in them that day but the practice time was not interrupted.
Any comments on the hinge boot?
The Hinge boot in my opinion is the right approach in principle but has some disadvantages in actual use. The major reason for its production is to add flexibility to the landing ankle so that the shock of landing is spread between the hip, knee and ankle. Traditional boots are stiff and to some extent prevent the ankle from sharing the load of landing. I’ve heard stories that the added flexibility adds height to jumps.
On the minus side: the design is bulky even though the updated versions have been slimmed down; the original design led to broken wires and to nuts that fell off; sizing difficulties; and sometimes the stretchable elastic on the tongue separated from the leather part. A practical consideration also wages against the boot: skaters who learned toe jumps in the normal boot have some problem adjusting to the extra flexibility. They at first tend to sit on the toe pick instead of vaulting. Younger skaters (like all youngsters) have an easier time of it.
The final story for the hinge boot is not done. There will probably be more alteration as time goes on. Being one who teaches dance, I think that dancers would benefit from the added flexibility.
Thank you so much, Mark. Very helpful.
***
Check in again next week, when I ask Mark more questions about trends in blades, “freakish feet,” coaching boots, and whether or not sharpening skates is a becoming a dying art.
To visit the Skaters Landing website, click: http://www.skaterslanding.com/
Ice Dance Music
October 23, 2007

Approximately half of my business involves teaching compulsory ice dances to skaters for the purposes of testing or competing. This means that I use the rink CD player quite often to play the music designed to accompany these patterns. This week, several of my skaters tested, so our need to use the music was even more urgent. Those of you who have spent any time in a rink where there are ice dancers and ice dance coaches, are probably already chuckling knowingly. And for those of you who don’t know what this music sounds like, think carousels, think organs, think accordions and little monkeys in vests who play them. Think circuses, and stale popcorn, and the longest elevator ride you can possibly imagine.
I mean no disrespect to the composers of this music, or the musicians who performed it, or the originators of the dances themselves. And I love coaching ice dance. It’s just that, when I glide up to the music box and turn off the latest hip hop song the skaters in my rink are warming up to, so that I can instead play the Willow Waltz for my lesson, I receive a number and intensity of annoyed glares that renders me necessarily apologetic. I press the ‘play’ button with a good-humored shrug, an, “I know, I know, the difference between these two types of music is infinite” demeanor and I try to somehow detach myself from it. But really, who am I kidding - after all these years, this music now pretty much represents me, is associated with me…I wear this music as obviously as my oversized down-feather coat.
The thing is, I am a fan of music, in general. I’m no aficionado, but I consider music of all kinds - from jazz to folk to trip hop to funk to alternative rock to classic rock - to be as essential to my daily existence as coffee. In other words, I have some kind of music playing at all times. Nonetheless, I took my first ice dance, the Dutch Waltz, at the age of 8, so you could probably estimate that, despite the breadth of my musical interests, over the years, more compulsory ice dance music has probably traveled through my ear canals than any other genre. You could say that ice dance music is the soundtrack of my life.
This is the kind of realization that’s liable to prompt (or further encourage) an identity crisis. Likewise, I scared myself once by saying out loud to one of my dance teams that I’d like one of the versions of the Hickory Hoedown to be the ringer on my cell phone, and I wasn’t kidding; I might have even implemented this, if I could have figured out the technology.
There was an attempt a few years ago, on the part of the USFS to update some of this music. Among other things, they added Marc Anthony’s steamy “I Need to Know” to the Cha Cha roster, and the iconic Kermit and Fozzie Bear duet “Movin’ Right Along” for the Hickory Hoedown. However uncomfortable it is to watch a 16 year-old Juvenile Ice Dance boy skate to The Muppets, I am largely in favor of these upgrades. And I would support or even spearhead a movement to continue this trend. But it isn’t easy to find modern music that fits compulsory ice dance requirements. This music needs to have a regular rhythm, a certain number of beats per minute, and should reflect the character for each type of dance, be it a tango, a foxtrot, or a waltz. I found this out the hard way a few years ago when I tried to identify some popular songs for the purposes of a group ice dance class. Nope, there aren’t a lot of waltzes and foxtrots or marches in the Top 40. And truthfully, there is something to be said for the timelessness of ice dance music and the continuity over the years. Some traditional part of me appreciates that the Paso Doble music I play for my students is the same Paso Doble music I myself once practiced to.
As I stood at the test session this weekend, listening to those same songs over… and over… and over… again, I realized that the biggest thing ice dance music has against it, is repetition. I’m a believer in the wise adage, “Everything in moderation” and that’s not really possible when you can’t get your student to decipher the beat in the Swing Dance, no matter how loudly you clap or call out the counts or stand by the CD player with her and tap out the beat on her shoulder. Sometimes, as a coach, you just have no choice but play that song one thousand times. Let’s face it, there are more than a couple freestyle programs in every rink that suffer from similar overuse. There is a fine line between diligent training, and skating to your music in lieu of anything else. It’s like that person in class who speaks up just to hear herself talk.
Truth be told, ice dance is flourishing in this country. As many kids who roll their eyes when I put on that Willow Waltz (and by the way, many of those same skaters have already passed that dance or will be skating it with me later in the afternoon), I have just as many who are thrilled to be skating to any kind of music as long as it takes time away from practicing those silent Moves in the Field (the other half of my business). Perplexingly and endearingly, many of my students are propelled forward in the testing process simply by the desire to skate to the “next song.” I taught the Dutch Waltz in a summer camp class this year to very beginner skaters. Even after a few lessons of them following around behind me like ducklings, they still weren’t quite ready to skate to the music, but they were anxious to hear it, so I obliged. As we skated, en masse, over toward the music box, one little boy of about 7 years old looked like he was going to jump out of his skin with excitement. He asked, “Does it sound like Dutch music?”
Anyway, I’m obviously a big bundle of ambivalence; I don’t know what to make of this music, and my weekly, daily, hourly involvement with it. On the one hand, I’m fairly certain that when I go insane, the theme music will be the European Waltz. On the other hand, it’ll probably be the first dance at my wedding. On one hand, I’ll cringe today as I press that ‘play’ button. And on the other, I genuinely think some of the music is downright catchy, especially for some of the new International dances. (I’ll occasionally glance across the rink and see a fellow coach unwittingly tapping her foot to the Silver Samba. “I saw that,” I’ll say, gliding by.)
I asked the ever-charming Igor Shpilband (coach of, among others, Tanith Belbin and Ben Agosto and Meryl Davis and Charlie White) what his thoughts are on this subject. He said, cryptically, that, “Compulsory ice music is like perfect music for compulsory ice dances,” which we can take as either serious, or sarcastic, or revealing of his actual opinion of compulsory dances.
Sometimes, when I’m really struggling with something, I make a list. If I’m having trouble making a decision, I compile a Pros and Cons List. When I’m feeling disorganized: To Do List. This week, I was on the market for a little perspective. I needed to remind myself that, really, it could be a lot worse, so I composed the following list, which I’ve found to be quite a comfort:
TEN SOUNDS FAR MORE DISTURBING THAN ICE DANCE MUSIC
- A duet of car alarms timed so that while one is taking an intermission, the other gets started.
- Radio static at full volume while you tweak the dial back and forth, trying to find a station worth listening to.
- The shriek of the dentist’s drill as it bores a hole into your third molar, accompanied by the aroma of hot metal and burnt tooth.
- Several fire truck sirens directly behind your car indicating that you should move out of the way, except you’re packed in like a puzzle piece and you need to decide whether to drive on top of the car in front of you or inside the pharmacy to your left.
- An infant still crying after it’s been fed, burped, changed, dressed in the cutest possible sleepwear, rocked, sung to, cradled, and driven in circles around the neighborhood for three hours.
- A yappy dog so humiliated by his sweater and the handbag he’s getting shuttled around in that all he can do is bark in a rhythm that spells out HELP in Morse code.
- Opera.
- A bird outside your window who believes that if he has to be awake, then you should be, too, and he’ll chirp himself hoarse if that’s what it takes.
- A team of jackhammers determined to make way for the Second Avenue subway line by breaking through several blocks of sidewalk at a time, and, as a bonus, dusting your skin with a layer of pulverized cement.
- The car horn of a fellow driver who disagrees with your parallel parking technique and makes this known for the duration of your three-part attempt to fit into a space that is definitely big enough for your car, give or take a few bumpers.
***
To listen to a sample of an old favorite, the Swing Dance: http://www.ncassociates.com/icednce/mp3/SDObject_30.mp3
Thanks for reading and happy listening…
Rink to Rink to Rink
September 14, 2007

Well, the fall schedule is underway. What this means to me and many coaches I work with is that, instead of commuting to one rink, we take our show on the road to several different rinks to get ice time and, often, multiple rinks in one day. I actually enjoy the change of scenery and the different set of faces in each location. Besides, it’s nice how the car ride in between provides a break longer than an ice cut, and a respite from the sound of my own voice. The problem is that the more places you have to be, the more logistics and complications you have to contend with. Over the years, I’ve been trying to streamline my schlep, or at least make it more entertaining. Here’s what I’ve found so far:
Transporting Tools of the Trade: Have you ever seen the clown act where he’s trying to carry an armful of balls? Every time he drops one and picks it up, another one falls and bounces away, culminating eventually in a maniacal juggling act. Until recently, this was pretty much my method of transport across rink parking lots around the county. Instead of colorful circus balls, I was juggling skates, rulebook, schedule, invoices, stereo, CDs, video camera, water, snacks, coffee, 15 layers of clothing (including hats, scarves, mittens, etc…)When I realized that this comedy routine was actually costing me lesson time, I knew I had to make some changes.
The most logical solution I could think of was to sprout a second set of arms. When that didn’t work, I tried to hire a packing mule or a sherpa to help, but all of the ones who came out to do a cost estimate refused to take on such a heavy load. Just when I started to memorize the whole USFS rulebook, so that I could carry at least one less thing around, I remembered that there was a brilliant invention called “the wheel.” I looked around me and noticed that, like our skaters, most of my colleagues already had luggage-type bags with wheels attached and I promptly copied them. This has made a world of difference.
Easy-Access Footwear: If only I had a nickel for every time I’ve laced and unlaced my skates. Occasionally, a bystander will marvel at how swiftly I do so. For example, like most coaches, I can walk through the rink’s front door 10 minutes after my students and still get on the ice before them. A cartoonist might depict this process as a tornado-like blur of hands, laces, cats, and dogs resulting in a perfect, giftwrap-worthy bow. But just because we’re speed-lacers doesn’t mean we should lace any more than absolutely necessary i.e. for that inferior form of footwear known as shoes. This is why I have switched almost exclusively to slip-ons. The infinite variations on the “clog” available today indicate that many people in our society, other than skating coaches, are interested in cutting this same corner. (By the way, one corner we should not cut is skipping taking off our skates altogether, however tempting. One of my intrepid colleagues put her guards on and drove from one rink to the other wearing her skates. Suffice it to say, this is not something she now recommends.)
Multitasking is Key: Thanks to the cell phone and of course hands-free technology, my car now serves as an efficient office on wheels. I check my voicemail, schedule lessons, field cancellations then try to reschedule lessons. Lots of coaches I know listen to music for programs while on the road. I’ve found, however, that it’s not a good idea to try and cut programs or choreograph them while driving, unless you’re stopped at a red light.
{I don’t know why this font is smaller!} Most importantly, I have embraced my car as the dining room that it is. I probably eat more meals in mine than I do in my house. I think I’m going to get a chandelier installed just to classy up the joint. Truth be told, the menu at this restaurant is hardly tantalizing. Name a basic finger food, and I’ve noshed on it while racing from one town to another: carrots, apples, grapes, and a whole myriad of nuts. I’ve purchased and devoured every variety of trail mix and nutrition bar sold on the east coast. Even if it’s not decadent, a small repast does nourish me and perks me up for the next round of lessons. In this way, I can convince myself that my mid-shift drive (even if it consists of dreaded bumper to bumper traffic) is not really a “commute,” but, more euphemistically, “snack time.”
Celebrate the Tax Break: It’s nice that rink to rink mileage is a tax write off, especially in light of current gas prices. I could just celebrate this every April 15, but I choose to watch my odometer all year, as closely as I used to watch the fireplace for Santa’s arrival at Christmas: each time it flips to a new number, I emit a little “woo hoo!” as if I’ve just received a little gift.
While I feel that I’ve made great progress in the above areas, I’m certainly open to any Rink to Rink suggestions you may have. Share your own experiences or observations by clicking on “comment” below. I’ll be posting something new every Tuesday (at least), so check back for further installments.
Coming up: This Sunday, I will be getting in my car/office/dining room and driving to Stamford, CT, for a PSA Nationwide Seminar. I will report on my revelations HERE.
Happy travels. And remember, laughter is the best (sports) medicine.
